I have searched the forums and am surprised that there has been no mention of Ernst Krenek’s Suite for mandolin and guitar, op. I find this. In addition to his Suite, which is a nice piece, he also wrote Hausmusik for guitar, violin, recorder, and piano. I don’t think I’ve got Krenek’s suite. Find composition details, parts / movement information and albums that contain performances of Suite for guitar, Op. on AllMusic. Ernst Krenek. Suite for.
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Guiatr index All times are UTC. I know it well. I respect the Krenek but it doesn’t move me. Mark, thank you for your kind words. When do we get to hear the rest of it? In short, Ted was one of the first classical guitarists to embrace the–at the time–new language on modernism. I have suitw an audio file of the 3rd movement from a UCLA performances on my myspace music page see: I sometimes give it to students who I feel will be receptive to it at Cal Poly Pomona, where I teach.
Glad to have another Krenek advocate and another recorded version of the piece. An excerpt from the last part of the text: When done well, it can really draw in fuitar audience in an intimate way, as the title of the movment suggests.
I would say that Krenek is around the level of Hindemith in terms of accessibility. According to Krfnek Norman, Krenek composed most of it while he was staying at his house in L. Oh well, what can one do? I will have to make sure to pick up this one and see if I can talk someone from the local mandolin society into considering this some day. Maybe it’s his German background maybe not?
Ted Norman is listed as the editor of the Suite for guitar, and I remember him saying that a fair bit of editing was required, as there were chords that were unplayable, etc. Classical Guitar Skip to content.
Ernst Krenek – Suite for Mandolin & Guitar, Op
Don’t take this as a criticism of Petrassi’s music. There were some chamber works as well with guitar and maybe mandolin, but I’ve never come across op. If it were not for something that happened during the performance it would be a great audio file. Nunc is a great piece. This works is a source of musical ideas.
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Suite for Mandolin & Guitar, Op.242
Regarding hearing more of our performance: He also was friends with Krenek and Schoenberg. When I try to help students express themselves when learning the Krenek Suite for guitar I sometimes describe it this way, and it seems to help.
I wrote to the Krenek Foundation in Austria, but I think they were not so interested because they didn’t answer and they didn’t add the CD to their discography. However, I must explain something first.
I probably won’t keep that movement up on my page for too long, but if anyone is interested in hearing another movement and doesn’t mind some 21st century inturuption they should give it a listen. I regret that I passed up on that opportunity. Coming from one of the persons responsible for making this piece happen, I consider that a big compliment.
Suite for guitar, Op. 164
A piece like Nunc and the Suite are good pieces to compare as they are similar in certain ways and different in others. Thanks for this, Buzz. You should email the Krenek archive about it, if you have not already. Topics archived from Public Space and its subforums after a long period of inactivity, or redundant for some other reason.
Ernst Krenek – Suite for guitar, Op – Classical Archives
I like very much this language and when I studied this work I was fascinated to find different references to music history every two bars. I feel the same way about the mandolin-guitar suite — a fine piece, one that I respect, but not one I pull out of the file drawer where it resides all that often to read through or to learn.
Indeed a highly interesting work in the mandolin and guitar repertoire. To this day I reget it.
I feel I have a special connection to this music as my instructor and one of my mentors at UCLA, where I studied classical guitar, was the late Theodore Norman see: